- Kyrie (from Missa Hercules Dux Ferrariae), Josquin des Prez (arr. Matt Haimovitz) (2:36)
- Beyond the Order of Things (After Josquin), Missy Mazzoli (4:32)
- Cyclical Rabbits, Niloufar Nourbakhsh (6:12)
- Volplaning, Tomeka Reid (5:28)
- Spring Figures, Nico Muhly (4:56)
- Two Rhapsodies of Spring, Juri Seo (7:25)
- Spring Song, Gordon Getty (1:56)
- Theme and Variants, David Balakrishnan (3:39)
- 1 3 2 3, Sky Macklay (5:26)
- Afro-dite, Nia Imani Franklin (6:04)
- Compulsive Bloom, Jennifer Jolley (4:25)
- Sandro/Charline:Both, Alex Weston (7:20)
- A negative space, Nina Shekhar (5:13)
- Beseeching, Texu Kim (4:40)
PRIMAVERA II the rabbits is the second of six albums in a momentous series encompassing 81 world premieres for solo cello. This digital album presents 13 new commissions by THE PRIMAVERA PROJECT for groundbreaking, multi-GRAMMY nominated cellist Matt Haimovitz. Each composer responds to Sandro Botticelli’s enigmatic painting, Primavera, and the prophetic large-scale triptych, Primavera 2020, by world-renowned contemporary artist Charline von Heyl. The album also features Haimovitz’s new arrangement of Josquin de Prez’s Kyrie (from Missa Hercules Dux Ferrariae).
Referencing the time of Botticelli, PRIMAVERA II the rabbits begins where PRIMAVERA I the wind left off. Haimovitz plays all four parts of his arrangement of Josquin des Prez’s Kyrie from Missa Hercules Dux Ferrariae, bridging to Missy Mazzoli’s deconstruction of Josquin in her haunting Beyond the Order of Things (After Josquin). Haimovitz also overlays the four cellos of Texu Kim’s Beseeching, entwining Native-American rain dance drumming and old Korean melodies in voices of desperation and hope.
The album takes its name from the rabbit trilogy motif in Charline von Heyl’s work. In Primavera 2020, the rabbits join the dancing graces, referencing centuries of symbolism: eternity, rebirth, fertility, and vitality. Niloufar Nourbakhsh depicts this communal ecstasy in her Cyclical Rabbits, incorporating Persian modes and oud-like strumming.
As with the first album, PRIMAVERA II the rabbits celebrates the extraordinary diversity of the American contemporary landscape. From Nico Muhly’s Spring Figures which leads our mind’s eye through the upward, rhythmic trajectory of the paintings to the soaring Volplaning by Tomeka Reid; from the pathos of Gordon Getty’s Spring Song to the abstraction of Nina Shekhar’s A negative space, an exploration of timbre and overtones. The contrapuntal serialism of Juri Seo’s Two Rhapsodies of Spring – the first violent in its ushering of Spring, the second a gentle Sarabande – is juxtaposed with David Balkrishnan’s channeling of Jimi Hendrix in his Theme and Variants.
Sky Macklay’s 1 3 2 3 is a journey through the groupings of figures in the Primavera paintings; Nia Franklin’s Afro-dite focuses on the goddess Venus and women’s complex roles in our shared humanity. Alex Weston’s Sandro/Charline: Both embraces Bach-like strains in a rondo form, and Texas-based composer Jennifer Jolly re-imagines Vivaldi, Mendelssohn, and Stravinsky in a raucous, unrelenting Compulsive Bloom.
Recorded in May 2021 at Charline von Heyl’s artist studio near downtown Marfa, Texas, the distinct and diverse contemporary compositional voices bridge the centuries, expanding and redefining the range and repertoire of the solo cello.
Artist Matt Haimovitz, cello
Executive producers Matt Haimovitz & Jeffrianne Young, M.D.
Recording producer David Frost
Recording engineer Brian Losch
Mastering engineer Silas Brown
Cover art Detail of Charline von Heyl’s Primavera 2020, used with kind permission
Label PENTATONE Oxingale Series (PTC: 5186293)
Release Date February 4, 2022